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WOMEN: New Portraits exhibition installed in the vast hall of Wapping Hydraulic Power Station in London
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Brand · Campaign · Exhibition

Annie Leibovitz × UBS: WOMEN

When one of the greatest photographers alive turns her lens on the women shaping our world, the design around it has one job: get out of the way, beautifully.

Client

Annie Leibovitz & UBS

Role

Brand & Campaign Design

Year

2015–2017

Discipline

Brand · Campaign · Exhibition · Digital

WOMEN: New Portraits traveled to ten cities worldwide — a landmark Annie Leibovitz exhibition that needed a brand and digital presence worthy of the photographer and her subjects, coherent across every market yet sensitive to each.

The Challenge

A landmark Annie Leibovitz exhibition traveling to ten cities worldwide needed a brand and digital presence worthy of the photographer and her subjects, coherent across every market yet sensitive to each.

The Approach

I worked on the brand and campaign design for WOMEN: New Portraits, shaping the visual system and digital presence that carried the exhibition and its story across cities and audiences.

The Outcome

The work supported a global exhibition seen across ten cities and contributed to a body of work recognized with a Cannes Lions nomination in 2017.

01The Exhibition

Two decades in the making

Commissioned by UBS, WOMEN: New Portraits extended a project Leibovitz began two decades earlier with the writer Susan Sontag. Newly commissioned photographs of women — leaders, artists, activists, athletes, and pioneers — hung alongside images from the original series, presented in raw industrial spaces rather than polished galleries. The design brief was simple and severe: frame the work, then disappear.

Leibovitz walking the wall — portraits hung edge to edge, the space stripped back to let the work speak.
The portrait grid — a single, democratic wall where every woman shares the same scale and light.
02The Identity
The best identity work for an artist of this caliber is nearly invisible. It frames the work and then disappears.
The system in one view — exhibition wall, portrait treatment, and invitations charting the ten-city tour.

The Photographer

A body of work, extended

Leibovitz has spent a career defining how we picture the famous and the powerful. WOMEN: New Portraits gathered that eye around a single question — who are the women shaping our world now — and carried it, unchanged, from one city to the next. The design simply had to be equal to it, and quiet enough to let it lead.

Annie Leibovitz.
03A Global Tour

One exhibition, ten cities

From London to Zurich, the show moved through ten cities in barely a year — each stop free to the public, each accompanied by the Women for Women talks, with speakers including Gloria Steinem. The brand had to hold together across languages, venues, and audiences while feeling native to each.

  1. 01London
  2. 02Tokyo
  3. 03San Francisco
  4. 04Singapore
  5. 05Hong Kong
  6. 06Mexico City
  7. 07Istanbul
  8. 08Frankfurt
  9. 09New York
  10. 10Zurich
London — the opening stop at Wapping Hydraulic Power Station.
Women for Women — Gloria Steinem in conversation before the wall.
On tour — the same grid, a new city, a new audience.
The wall in full color — every portrait given equal weight.
The WOMEN: New Portraits exhibition hall filled with visitors
Ten cities, one story

The design got out of the way — and Leibovitz’s women filled the room.

The Outcome

10

cities on the world tour

1999 → 2017

a project two decades in the making

Cannes Lions

nominee, 2017

The work supported a global exhibition seen across ten cities and contributed to a body of work recognized with a Cannes Lions nomination in 2017 — proof that the quietest design can carry the loudest work.

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